The worst part of outfitting our police officers as soldiers has been psychological. Give a man access to drones, tanks, and body armor, and he’ll reasonably think that his job isn’t simply to maintain peace, but to eradicate danger. Instead of protecting and serving, police are searching and destroying.
If officers are soldiers, it follows that the neighborhoods they patrol are battlefields. And if they’re working battlefields, it follows that the population is the enemy. And because of correlations, rooted in historical injustice, between crime and income and income and race, the enemy population will consist largely of people of color, and especially of black men. Throughout the country, police officers are capturing, imprisoning, and killing black males at a ridiculous clip, waging a very literal war on people like Michael Brown.”
America: where fertilized eggs and corporations are people, but refugee children aren’t.
Gentrification is violence. Couched in white supremacy, it is a systemic, intentional process of uprooting communities… [Its] central act of violence is one of erasure.
…“Girls,” for example, reimagines today’s Brooklyn as an entirely white community. Here’s a show that places itself in the epicenter of a gentrifying city with gentrifiers for characters – it is essentially a show about gentrification that refuses to address gentrification. After critics lambasted Season 1 for its lack of diversity, the show brought in Donald Glover to play a black Republican and still managed to avoid the more pressing and relevant question of displacement and racial disparity that the characters are, despite their self-absorption, deeply complicit with. What’s especially frustrating about “Girls” not only dodging the topic entirely but pushing back – often with snark and defensiveness against calls for more diversity – is that it’s a show that seems to want to bring a more nuanced take on the complexities of modern life.
In an appallingly overwritten New York magazine article with the (I guess) provocative title “Is Gentrification All Bad?,” Justin Davidson imagines a first wave of gentrifiers much the way I’ve heard it described again and again: “A trickle of impecunious artists hungry for space and light.” This is the standard, “first it was the artists” narrative of gentrification, albeit a little spruced up, and the unspoken but the understood word here is “white.” Because, really, there have always been artists in the hood. They aren’t necessarily recognized by the academy or using trust funds supplementing coffee shop tips to fund their artistic careers, but they are still, in fact, artists. The presumptive, unspoken “white” in the first round of artists gentrification narrative is itself an erasure of these artists of color.”